With You, My Lord (2000)


Original title: Veled Uram
Year: 2000
Runtime: 2 hours 13 minutes
Country: Hungary
Language: Hungarian
Subtitles: None
Genre: Musical, Rock Opera

Director: István Iglódi

Cast:
Homonyik Sándor
Kováts Kriszta
Tóth Sándor

Plot/Synopsis:
In the 30th year of the reign of King István, the new, Christian-European government is stable in Hungary, yet the people of the land still have no peace in their hearts. The guardians of the Old Ways, the Shamans offer ritual sacrifice to the memory of Koppány, under the walls of Saint Márton’s Mount (Pannonhalma). Having their faith in Vászoly, they oppose the rule of foreign priests and nobles who came together with the new, christian religion. A relative of István, Peter of Orseolo from Venice, who is the Commander of the Royal Guard fights off the crowd with his German mercenaries. Prince Imre is horrified to see the events, his tutor, Bishop Gellért hopes to find out God’s intentions with the country, and in his mind’s eye the future seems to unfold. Gizella arrives escorted by monks and nuns. Prince Imre’s training for his worldly career is about to start, they listen to the advices of the royal parents. Gellért blesses the upcoming marriage of Imre and Krisztina before his departure. Gizella awaits his son’s coronation with great hopes, too. Péter, the Queen’s trusted ally vows to faithfully serve Imre in support of Gizella. András, Béla and Levente, the sons of Vászoly are fighting among themselves while Ilon, their mother silences them with her song about Old Days. She would like Vászoly to sit on the Throne, and her sons agree. Prince Imre wanders astray on a hunt when coming back from the battle against the Germans. He ends up in the Valley of the Dead, where he hears strange voices and suddenly feels the presence of the All-Mighty. The followers of the Old Ways who hide in the forest capture Imre, and are planning to crucify him in their anger against István. Zobor, the shaman who survived the events at Márton’s Mount arrives at the very last moment, and stops them, but still he is to be tested by fire. The Prince passes the test, thus giving new hope to the wanderers, too…

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Swan Lake (2007)

Original title: Lebedinoe ozero
Year: 2007
Runtime: 2hours 9 minutes (+ 30 minutes extras)
Country: Russia
Language: English (only for extras)
Subtitles: None
Genre: Opera | Ballet

Director: Ross MacGibbon (director) & Marius Petipa and Lev Ivanov (choreography)

Cast:
Uliana Lopatkina
Daniel Korsuntsev
Alexander Gronskaya
Peter Stasiūnas
Irina Golub
Ekaterina Osmolkina
Anton Korsakov
Andrei Ivanov
Ilya Kuznetsov
Evgenia Obraztsova
Svetlana Ivanova
Olesya Novikova
Victoria Tereshkina
Tatiana Tkachenko
Xenia Ostreykovskaya
Daria Sukhorukov

Plot/Synopsis:
Act I
A magnificent park before a castle.
Swan Lake begins at a royal court. Prince Siegfried, heir to the kingdom, must declare he has chosen a wife at his birthday ball. Upset that he cannot marry for love, Siegfried makes for the forest and escapes into the night. He sees a flock of swans flying overhead and sets off in pursuit of them.
Act 2
A mountainous wild place, surrounded by forest. In the distance a lake, on the right side of which are ruins. A moonlit night.
Siegfried aims his crossbow at the swans and readies himself for their landing by the lakeside. When one comes into view, however, he stops. Before him is a beautiful creature dressed in white feathers, more woman than swan. Enamoured, the two dance and Siegfried learns that the swan maiden is the princess Odette. An evil sorcerer, von Rothbart, has captured her and used his magic to turn her into a swan by day. Every night, she becomes a woman again.
A retinue of other captured swan-maidens attend Odette in the environs of Swan Lake, which was formed by the tears of her parents when she was kidnapped by von Rothbart. Once Siegfried knows her story, he takes great pity on her and falls in love. As he begins to swear his love to her, an act that will render the sorcerer’s spell powerless, von Rothbart himself appears. Siegfried threatens to kill von Rothbart but Odette intercedes. If von Rothbart dies before the spell is broken, it can never be undone.
Act 3
An opulent hall in the castle.
The Prince returns to the castle to attend the ball. Von Rothbart arrives in disguise with his own daughter Odile. He has made Odile identical to Odette in all respects except that she wears black rather than white. The prince mistakes her for Odette, dances with her, and proclaims to the court that he intends to make her his wife. Only a moment too late, Siegfried sees the real Odette and realizes his mistake. (The method in which Odette appears varies. In some versions she arrives at the castle, while in other versions von Rothbart shows Siegfried a magical vision of her.)
Act 4
Same scene by the lake as in Act 2.
Siegfried returns to the lake and finds Odette. He makes a passionate apology and she forgives him. Von Rothbart appears and tries to pull the lovers apart. In the original 1877 ballet, Siegfried struggles with Von Rothbart and tears off one of his wings, thereby destroying his powers. Siegfried has broken the spell of the swan maidens and marries Odette.
In the 1895 Mariinsky revival, Tchaikovsky’s brother altered the ending to a tragic one. The lovers realise that the spell cannot be broken because of Siegfried’s accidental pledge to Odile. In order to complete and fulfill the pledge initiated in Act 2 by Siegfried to Odette, ultimately making it possible for the lovers to stay together, Odette and Siegfried leap into the lake and drown. This breaks von Rothbart’s spell over Odette, causing him to lose his power over them, and he dies as a result.

“Swan Lake” is a symbol of Russian ballet. It is the most frequently staged performance of Mariinsky Theater, performed by a brilliant troupe starring Ulyana Lopatkina and Danila Korsuntsev, and it says it all. Ulyana Lopatkina is a genuine swan queen , which is acknowledged by the whole world. There are many versions of this immortal ballet, but such blending of ballerina and her part has never taken place before. One of the best ballet critics of Russia, Vadim Gayevskiy, wrote about her swans after Moscow performance in May 2007: “Lopatkina danced her part reverently. Her performance looked like an act of art as well as an act of faith… Her light flying poses and a trace of imperceptible spiritual sufferings is a realization of something that looks impossible to realize. The purity of Lopatkina’s lines as well as her character’s intentions are clearly revealed on the stage.”
Harmonious corps de ballet is Mariinsky’s trademark. Watching this performance is a great pleasure. It can be watched over and over again. This show is a real masterpiece. It was filmed by BBC in 2006. Choreographers: Marius Petipa and Leo Ivanov (1895) revised by Konstantin Sergeyev (1950). Conductor Valeriy Gergiyev.”
Thanks Orca for the translation from Russian

Additional material : (English)
• On the “Swan Lake”
• History
• Music
• Origin
• Dance
• A Chorus Line
• Prima Ballerina

Music composed by Pyotr Ilyich Tchaikovsky

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Uploaded by: cosmin742000

Mozart , The Rock Opera (2010)

Original title: Mozart, l’opéra rock
Year: 2010
Runtime: 2h 1mn
Country: France
Language: French
Subtitles: None
Genre: Opera

Director: Olivier Dahan

Cast:
Mikelangelo Loconte : Wolfgang Amadeus Mozart
Diane Dassigny précédée par Claire Perot : Constance est l’épouse de Mozart et la sœur d’Aloysia
Mélissa Mars : Aloysia Weber est le premier amour de Mozart et la sœur de Constance
Florent Mothe : Antonio Salieri est le rival de Mozart
Maeva Méline : Nannerl est la sœur de Mozart
Solal : Leopold est le père de Mozart
Yamin Dib : Le comte Rosenberg, l’intendant de l’empereur Joseph II
Merwan Rim : l’aubergiste et le clown (personnification des phobies des personnages)
Ariane Pirie précédée par Delphine Grandsart : Cécilia Weber est la mère d’Aloysia et Constance
Jocelyne Sand : Anna Maria Mozart est la mère de Nannerl et Mozart, la femme de Leopold
Mathias Jung : Colloredo (Prince-Archevêque de Salzbourg), le tuteur et l’inconnu
Patrice Maktav : Lorenzo da Ponte
Jean-Michel Meunier : Fridolin est le père d’Aloysia et Constance, et Joseph II
Marjolaine Piémont : Josépha Weber est la soeur d’Aloysia et Constance
Estelle Micheau : La Diva alias La Cavalieri
Laurie Peret : Sophie Weber est la sœur d’Aloysia, Constance et Josépha

Plot/Synopsis:
The show starts when the fate of Wolfgang Amadeus Mozart rocking: Hieronymus von Colloredo-Mannsfeld successor to Prince-Archbishop of Salzburg.The new king is an austere man and authoritarian that is insensitive to the music of Mozart and allergic to the enthusiasm and the impertinence of the character …For Mozart, Salzburg’s life quickly becomes untenable.He was 17 when he decided to leave his hometown with his mother in search of a better future in a European capital.The composer’s journey is punctuated with setbacks and disappointments .No European court does not commit, he knows his first disappointment in love with Aloysia Weber, and he lost his mother in Paris, a city that rejects and humiliates him.Mozart returned to his austere and dull life in Salzburg when he heard about the death of the Empress of Austria.The composer must accompany his employer, Colloredo, Vienna (Austria) to honor the new Emperor Joseph II du Saint-Empire.Vienna, European capital of music, will seal the fate of the composer. Mozart will know the glory ,the love,the rivalry then the fall and misery.He will die leaving his finest work, the Requiem unfinished.

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Uploaded by: cosmin742000

Platée (2002)

Year: 2002
Runtime: 150 minutes
Country: France
Language: French
Subtitles: English (hard-subbed)
Genre: Comedy | Drama | Fantasy | Opera | Music

Director: Don Kent

Opera by Jean-Philippe Rameau. Conducted by Marc Minkowski

Cast:
Paul Agnew … Platée
Mireille Delunsch … La Folie / Thalie
Yann Beuron … Thespis / Mercure
Vincent Le Texier … Jupiter
Doris Lamprecht … Junon
Laurent Naouri … Cithéron / Un Satyre
Valérie Gabail … L’Amour / Clarine
Franck Leguérinel … Momus

Plot/Synopsis:

The opera Platée by Jean Philippe Rameau is not just a comic opera but an opera in which the Gods of Olympus play a part. With his tragedies lyriques Jean Baptiste Lully had banned all comical characters from the opera, and musical comedies had become unfashionable. Thanks to works by André Campra and Jean-Joseph Mouret, however, the genre had not disappeared completely, and Rameau made his own contribution with Platée. On a musical level, Rameau was able to allow his creativeness free reign, because Platée is a so-called ballet bouffon of a distinctly light-entertainment character. Platée was above all to be a great spectacle with lengthy ballet passages, magnificent costumes and, first and foremost, brilliant music.

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Platée [2002]
Uploaded by: wordskill